Concrete
Karate"Concrete" is a song by Karate, released in 2004 in the Pop genre. The song is 7:03 long and contains 33 lines and 261 words.
Lyrics
0:54Reticent she returns to the streets
0:58Where she once floated above in hospital sheets
1:06Hands on the walls where small handprints still weigh
1:11With the burden of crimson indelible paints
1:18Where are the hands that once fit these young prints
1:24What have they grabbed at ever since
1:32Nights used to be dangerous here
1:37But now the mornings have exceeded her deepest fears
1:46Because that's when the concrete creeps in
1:51And perpetrates with more than the greatest sins
1:58And weighs down on what used to be known as the neighbourhood
3:01Deliberate slow destructive defeat
3:06As new corners consolidate the neighbourhood streets
3:14Where are the ones who she stepped with right here
3:19Below the bar now a bank clad with anonymous steel
3:27Where are the sounds of the children once heard
3:33Replaced with new parking and yellowed out curbs
3:41Now she can only afford to return
3:45For a doctor an in law or a day in the sun
3:53Some still cling if the building still stands
3:58Some sing liberation from felonious hands
4:05But most will get lost in new peripheral sprawl
4:10Where new handprints signify on old concrete walls
4:19Florescent excuses for light
4:32Steal all the shadows from the nights from the nights
4:43Parody or progress
4:48You just want to tear it down
4:55As you're standing right in the middle of the wrong side of town
6:27Florescent excuses for light
6:39Steal all the shadows from the nights from the nights
6:50Parody or progress
6:56You just want to tear it down
7:03As you're standing right in the middle of the wrong side of town
Reticent she returns to the streets Where she once floated above in hospital sheets Hands on the walls where small handprints still weigh With the burden of crimson indelible paints Where are the hands that once fit these young prints What have they grabbed at ever since Nights used to be dangerous here But now the mornings have exceeded her deepest fears Because that's when the concrete creeps in And perpetrates with more than the greatest sins And weighs down on what used to be known as the neighbourhood Deliberate slow destructive defeat As new corners consolidate the neighbourhood streets Where are the ones who she stepped with right here Below the bar now a bank clad with anonymous steel Where are the sounds of the children once heard Replaced with new parking and yellowed out curbs Now she can only afford to return For a doctor an in law or a day in the sun Some still cling if the building still stands Some sing liberation from felonious hands But most will get lost in new peripheral sprawl Where new handprints signify on old concrete walls Florescent excuses for light Steal all the shadows from the nights from the nights Parody or progress You just want to tear it down As you're standing right in the middle of the wrong side of town Florescent excuses for light Steal all the shadows from the nights from the nights Parody or progress You just want to tear it down As you're standing right in the middle of the wrong side of town
Translation
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